Frame of Reference: A Maybe Happy Ending (and Definitely Happy Day) in NYC
We’ll get to the review (spoiler alert: it was GREAT), but first — let me set the scene. Because what made Maybe Happy Ending so special was everything that came before it: a classic, serendipitous New York City day, filled with surprises and joy.
It was Mother’s Day, and my mom was visiting — always a treat. But also in town? My dear friend Kelly (see previous post!), celebrating both her birthday and Mother’s Day. She drove in with her family, ready for a whirlwind weekend of Broadway shows.
(Side note: Not everyone would expect Kelly to be Broadway-obsessed. But at brunch, she confessed that if she lived in NYC, she’d be “Broadway Broke.” I believe her. The woman packed three shows into 48 hours. That’s not a trip — that’s a musical mission.)
We kicked off the day with brunch at Café Un Deux Trois — easy for Kelly and her crew to get to, and, bonus, they had a Mother’s Day reservation. I was just hoping for decent and convenient, but it was so good. We even ordered a second entrée to share — shoutout to the Croque Madame, the fanciest grilled cheese there ever was. It hit the Midtown sweet spot: delicious, unfussy, and perfectly located.
After brunch, we all started mapping out our plans. Andie (Kelly’s daughter) wanted to hit the Harry Potter store in Flatiron. Mama Jane (my mom) had her heart set on the Morgan Library. Kelly was planning what matinee could fit into their NYC day. We floated the idea of trying to see Good Night, and Good Luck — but when we found out it was standing room only, we passed. No way Mama Jane was standing on a blistered foot.
And that little twist of fate turned into the best surprise of the day.
I remembered Maybe Happy Ending was nearby, so on our way toward the Morgan Library, we looped past the theater. The box office wasn’t open yet, and the line was long, so we moved along and found a bench to rest for a few minutes. At 11:56, I noticed we were still close: “Box office opens at 12:00. Should we just try?"
Ever the good sport, Mama Jane was game. We hopped in line, and not only did we get in — we got $99 day-of seats, partial view and together! A true New York win. With tickets secured, we continued on to the Morgan Library (absolutely worth the visit).
Then came a fun twist — a call from Kelly. “Hey, do you still want tickets to Maybe Happy Ending? We’re nearby, we can check.” I laughed. “Already got ’em!” Turns out her mom wanted to go too — so she bought a ticket too!
Before the show, Mom and I stopped at Gatsby’s for a little refreshment — a limoncello spritzer and a watermelon margarita (both crowd-pleasers ). I texted Kelly’s mom to coordinate meeting at the theater. Her reply: “I’m already seated — J21.”
Unreal. Our seats? J19 and J17. So we were all back together, and it turned into one of those perfect, only-in-New-York moments — where the city feels like it’s quietly orchestrating your day, giving you a memory you’ll never forget.
Mini Review: Maybe Happy Ending
It was AMAZING.
I cried as much (maybe more?) than I did during Dear Evan Hansen. The set, the voices, the humanity. I loved that it was one act — no intermission to break the spell.
The emotional arc was beautifully earned. Easily the best show I’ve seen in a long time. I would absolutely go back — and I don’t often say that.
So yes: brave the box office line. It's so worth it.
🧑🎨 About Frame of Reference
Written by Sara L. Gable, a lifelong arts advocate and marketing professional, Frame of Reference explores the intersection of creativity, culture, and commerce. With a career spanning two decades in brand-building and a deep personal connection to the arts, Sara brings a unique lens to how we experience, support, and sustain artistic institutions. In 2025, she will begin a Master’s program in Visual Arts Administration at NYU Steinhardt, continuing her journey toward shaping the future of the arts.


Comments
Post a Comment